Friday, February 2nd, 2024
Ignorant men don't know what good they hold in their hands until they've flung it away.
— Sophocles
MUS106 Lecture 11
- The Beatles
- John Lennon (1940-1980)
- lead vocal
- rhythm guitar
- songwriter (always shares credit with Paul as “Lennon-McCartney”)
- Childhood promise
- Turns focus onto the band instead of the individual.
- Paul McCartney (b. 1942)
- lead vocal
- bass
- songwriter (always shares credit with John as “Lennon-McCartney”)
- George Harrison (1943-2001)
- lead guitar
- Ringo Starr (b. 1940)
- drums
- a.k.a. Richard Starkey
- Sometimes called “The Fifth Beatle”
- Brian Epstein (manager)
- George Martin (producer at EMI)
- Self-contained band, like Buddy Holly
- started out as The Quarrymen
- Liverpool, 1957
- Lennon (17) + Paul (15) + George (14)
- played Skiffle—British impression of American folk music plus a hint of jazz
- Even Jimmy Page was in a Skiffle band
- early American rock
- renamed band to “Johnny and the Moondogs” (homage to Alan Freed’s moondog show)
- renamed again to “The Beatles” in 1960 (homage to The Crickets of Buddy Holly)
- unusual in that they write (mostly) their own songs
- notable (& very faithful) covers of first wave rock stars
- ”That’s All Right” (1954) (cover of Elvis Presley’s cover)
- McCartney sounded exactly like Elvis
- ”That’ll Be the Day” Buddy Holly
- sounds exactly like Buddy Holly
- ”Roll Over Beethoven” (Chuck Berry)
- “Long Tall Sally” (Little Richard)
- as flamboyant as Little Richard’s stage performance
- ”Please Mr. Postman” The Marvlettes (girl group)
- ”That’s All Right” (1954) (cover of Elvis Presley’s cover)
- early career
- 1960-62: gigging in Hamburg
- met Brian Epstein at the Cavern Club (nicknamed “the hole in the ground”) in Liverpool
- got them an interview at Decca Records, was refused
- met Brian Epstein at the Cavern Club (nicknamed “the hole in the ground”) in Liverpool
- 1962: Brian Epstein got them eventually signed to EMI
- ”Love Me Do” (1962): “Lennon-McCartney” original climbed British national chart
- Please Please Me (1963) was their first #1 album in the UK
- 14 songs, including 8 originals
- very successful tour of England
- looking to make an impact in the US market
- Parliaphone (EMI) offered Beatles records to Capitol Records (subsidiary of EMI), but was refused because they already signed Beach Boys and had no resources left.
- Record scarcity in the US
- CBS News reported on Beatles fan(atics) as some sort of joke to poke fun at British rock—turned out to be great national-level publicity/exposure; but then JFK got assassinated, giving The Beatles some more time to prepare for tour.
- Everyone anticipated & wanted to hear The Beatles but couldn’t get records due to record scarcity.
- 2/1/1964 “British Invasion”: “I Want to Hold Your Hand” hits #1 for 7 weeks in US charts
- Capitol Records eventually agreed to distribute Beatles records
- 2/9/1964: appear on Ed Sullivan show, Carnegie Hall, then Ed Sullivan show again
- 4/4/1964: Beatles have all top 5 songs
- August 1964: meets Bob Dylan
- By the end of 1964: 1/3 of top ten songs in US charts are British bands (turning the page from early rock hiatus)
- merchandise & films
- Beatlemania: “We don’t know why we’re like this”
- Why Are You Like This?
- Baby Boomers
- birth rate spikes in 1949 — tons of 15 year olds in 1964
- Older friends and acquintances are fans of them; imitation is the greatest compliment
- ”Second Sexual Revolution” (TIME Magazine, 1964)
- FDA approves birth control pills
- geopolitical instability: Cuban Missile Crisis, JFK assassination, Goldwater (extreme conservative who advocated giving military generals the power to use nuclear warheads on the battlefield at will)
- Beatles can help lighten the mood
- relationship to Rock hiatus
- 90% “professional music”; very polished music
- By the end of 1963, anti-professional music enters the market, being unsatisfied by the very polished music
- The Beatles is kind of a mix-mash of both:
- smooth & rough
- polished & unhinged
- refined & innovative
- Baby Boomers
- 1960-62: gigging in Hamburg
- John Lennon (1940-1980)
- The Rolling Stones
- anti-Beatles
- live performances were like riots of young men (in contrast to the swooning but contained girls at Beatles live performances)
- many members
- Brian Jones (1942-69): guitar, sitar
- Keither Richards (b. 1943): guitar
- Mick Jagger (b. 1943): vocals, front man…
- …
- became a R&B band covering Chess Records
- manager: Andrew Loog Oldham, who decided that the band should be the Anti-Beatles
- wanted their image to be “threatening, uncouth, and animalistic”