Friday, February 2nd, 2024

Ignorant men don't know what good they hold in their hands until they've flung it away.

— Sophocles

MUS106 Lecture 11

  • The Beatles
    • John Lennon (1940-1980)
      • lead vocal
      • rhythm guitar
      • songwriter (always shares credit with Paul as “Lennon-McCartney”)
        • Childhood promise
        • Turns focus onto the band instead of the individual.
    • Paul McCartney (b. 1942)
      • lead vocal
      • bass
      • songwriter (always shares credit with John as “Lennon-McCartney”)
    • George Harrison (1943-2001)
      • lead guitar
    • Ringo Starr (b. 1940)
      • drums
      • a.k.a. Richard Starkey
    • Sometimes called “The Fifth Beatle”
    • Self-contained band, like Buddy Holly
    • started out as The Quarrymen
      • Liverpool, 1957
      • Lennon (17) + Paul (15) + George (14)
      • played Skiffle—British impression of American folk music plus a hint of jazz
        • Even Jimmy Page was in a Skiffle band
      • early American rock
      • renamed band to “Johnny and the Moondogs” (homage to Alan Freed’s moondog show)
      • renamed again to “The Beatles” in 1960 (homage to The Crickets of Buddy Holly)
    • unusual in that they write (mostly) their own songs
    • notable (& very faithful) covers of first wave rock stars
      • ”That’s All Right” (1954) (cover of Elvis Presley’s cover)
        • McCartney sounded exactly like Elvis
      • ”That’ll Be the Day” Buddy Holly
        • sounds exactly like Buddy Holly
      • ”Roll Over Beethoven” (Chuck Berry)
      • “Long Tall Sally” (Little Richard)
        • as flamboyant as Little Richard’s stage performance
      • ”Please Mr. Postman” The Marvlettes (girl group)
    • early career
      • 1960-62: gigging in Hamburg
        • met Brian Epstein at the Cavern Club (nicknamed “the hole in the ground”) in Liverpool
          • got them an interview at Decca Records, was refused
      • 1962: Brian Epstein got them eventually signed to EMI
      • ”Love Me Do” (1962): “Lennon-McCartney” original climbed British national chart
      • Please Please Me (1963) was their first #1 album in the UK
        • 14 songs, including 8 originals
      • very successful tour of England
      • looking to make an impact in the US market
        • Parliaphone (EMI) offered Beatles records to Capitol Records (subsidiary of EMI), but was refused because they already signed Beach Boys and had no resources left.
        • Record scarcity in the US
        • CBS News reported on Beatles fan(atics) as some sort of joke to poke fun at British rock—turned out to be great national-level publicity/exposure; but then JFK got assassinated, giving The Beatles some more time to prepare for tour.
        • Everyone anticipated & wanted to hear The Beatles but couldn’t get records due to record scarcity.
        • 2/1/1964 “British Invasion”: “I Want to Hold Your Hand” hits #1 for 7 weeks in US charts
          • Capitol Records eventually agreed to distribute Beatles records
        • 2/9/1964: appear on Ed Sullivan show, Carnegie Hall, then Ed Sullivan show again
        • 4/4/1964: Beatles have all top 5 songs
        • August 1964: meets Bob Dylan
        • By the end of 1964: 1/3 of top ten songs in US charts are British bands (turning the page from early rock hiatus)
      • merchandise & films
      • Beatlemania: “We don’t know why we’re like this”
      • Why Are You Like This?
        • Baby Boomers
          • birth rate spikes in 1949 — tons of 15 year olds in 1964
          • Older friends and acquintances are fans of them; imitation is the greatest compliment
          • ”Second Sexual Revolution” (TIME Magazine, 1964)
            • FDA approves birth control pills
        • geopolitical instability: Cuban Missile Crisis, JFK assassination, Goldwater (extreme conservative who advocated giving military generals the power to use nuclear warheads on the battlefield at will)
          • Beatles can help lighten the mood
        • relationship to Rock hiatus
          • 90% “professional music”; very polished music
          • By the end of 1963, anti-professional music enters the market, being unsatisfied by the very polished music
          • The Beatles is kind of a mix-mash of both:
            • smooth & rough
            • polished & unhinged
            • refined & innovative
  • The Rolling Stones
    • anti-Beatles
    • live performances were like riots of young men (in contrast to the swooning but contained girls at Beatles live performances)
    • many members
      • Brian Jones (1942-69): guitar, sitar
      • Keither Richards (b. 1943): guitar
      • Mick Jagger (b. 1943): vocals, front man…
    • became a R&B band covering Chess Records
    • manager: Andrew Loog Oldham, who decided that the band should be the Anti-Beatles
      • wanted their image to be “threatening, uncouth, and animalistic”